My longest bio... Or shortest book ;-)

Over the last year, I've been asked a lot about my background as an artist. I've been a recording artist for about 4 years (I've released 3 R&B albums) and a professional (i.e. paid) musical theatre performer for just over 2. That's not a whole lot of career experience for someone my age, so the questions are usually: how did you get here? Or what were you doing before? 

I tend to envy the people who always knew who they were and what they wanted to be. Although I began piano and dance lessons at the age of 6, I wasn't aware of my calling until the 7th or 8th grade. I grew up in Mississauga and we took a class trip to downtown Toronto (kind-of-a-big-deal at the time) to see "Joseph and the Amazing Technicolour Dreamcoat" starring Donnie Osmond. It was the first time I'd seen live theatre and certainly the first time I'd ever seen a musical. They sang, they danced, they splashed me with colours and lights and costumes... I was enchanted (and a crush on Donnie Osmond was born, but that's another story).  By the time the show was finished rocking my world, I certainly did NOT want to drive back to school that day. I wanted to stay with whatever it was that just happened to me . I wanted to be those people I saw on stage who appeared to be living and glowing in their purpose. It was right then that I knew I wanted to perform. 

So by 9th grade, I found myself auditioning for community theatre and high school plays alongside one of my besties. By 12th grade, him and I founded the school's first Drama Club with the support of one of our favourite teachers. 

I ended up at York University with hopes of getting my BA in English, then going to Teacher's college so I could then teach the thing that in reality, I wanted to do. I was too scared to enter a straight-up Theatre Program, so this was me compromising with myself. Well, York U went on strike very early into my first year. I don't remember the reasons or politics around the strike, but I remember feeling almost relieved. In my heart, I knew I wasn't where I wanted to be, so during the 11-week strike I got an agent and started working as an extra in film & TV. It certainly wasn't "acting", but I was on set almost everyday, surrounded by and learning from artists and filmmakers and crews. I got those same tingly feelings that I got watching Joseph all those years prior, so I knew that environment was feeding my passion and purpose.

So when the university's strike was over, so was I. I rushed out of there and applied for the shortest post-secondary program that would still give me a diploma. Even though I was now eager to begin my life as an artist, getting a diploma (in anything) was important to me. And my parents. So I ended up at Sheridan College for Advertising.

And because life is ever full of surprises and left turns and contradictions, I ended up loving the program! The teachers, the students and the classes were much more fun and creative than I thought they would be. Here I thought I was going to rush in and out of this two-year program just to get to the other side, but I ran into "possibility". I was actually relieved to have found something I loved outside of acting and performing because I felt I had a better chance of making a living in the Ad industry. There were plenty of jobs! There was salary, benefits and security! And no one ever got stage fright!

I took a job at an ad agency upon graduation and swiftly discovered that... nope. There is no way in hell I would or could sit at a desk for 60 hours a week. I need a microphone, an audience, some make-believe and some magic. 

I spent the next 5 years waffling back and forth between auditions and ad agencies before finally committing to life as an artist. I eventually left the advertising business for good, singing backups for local bands, writing and recording my own music, taking acting classes, and trying to convince agents that even though I had no performance training and little professional experience, I have always been an artist... it just took me some time to own it.

I used to lament the fact that I took the longest possible route to following my passion. If I had just gone to school for theatre in the first place, I wouldn't be starting my performance career so much older than my peers have. Where would my career be by now?

But truthfully, I love where I am now, personally and professionally. I met my husband at that first advertising job I took after college. I made lifelong friends at some of the jobs I 'hated'. And all the while, my passion never deserted me, even when when I thought I'd left it behind. 

To quote one of my favourite musicals: "Forget regret. Or life is yours to miss".

If you're still breathing, and you haven't yet taken your passion by the hand and let it lead you, it is still laying in wait. The path is still clear, and you are still able to walk it.

At least, that's what I've learned :-).

Xox,

~ LM 

Whatchutalkinbout Lisa!

I have no idea how I successfully packed for a 13-work tour. This was my thought as I was sitting on and swearing at my suitcase this morning, getting ready to leave for "Avenue Q".

Yes, I'm beginning a new adventure! A 6-week gig in Sudbury is perhaps a little less glamourous-sounding than a National Tour across 20+ cities. Ok, it IS less glamourous, but I assure you, I'm still as nervous, excited and anxious to begin this journey as I was on the last one. I've been blessed with a wicked momentum of musical theatre experiences as of late, but still consider myself very much a newbie to this world. 

As I write this, it's Monday April 7th, and I'm on my flight to Sudbury, which is about a 4 hour drive from Toronto. Home. Our first day of rehearsals for Avenue Q is on Tuesday, so the plan was to leave by bus yesterday afternoon and give myself time to settle in before getting down to business. Alas, I got a second callback for a REALLY BIG audition that I absolutely HAD to accept and it took place this Monday morning at 10am. So I shifted things around, and here I am. The audition went really well, thank you for asking! But now I have to do what performers do:  put the audition behind me and focus on the task at hand.  In this case, the role at hand.

My role? Well, if you are privy to the colour of my skin and the script of Avenue Q, you have already guessed that I am playing the role of Gary Coleman. Get your giggles out, it's true! Needless to say, this musical is a comedic piece, and comedy is well... new to me. In real life, I think I'm rather hilarious (the hubs may disagree), but I haven't really dug my teeth into a comedic ROLE - on stage OR screen - as yet. So I'm really looking forward to presenting this side of me for a paying audience. 

It also doesn't hurt that I get to live this opportunity alongside THE Michael DeRose!!!!! No big deal or anything, but he is just one of my BELOVEDS who TOURED with me in the cast of GODSPELL. You know, the same tour I posted over a dozen blogs about? The one that changed my life? If you read any of those blogs, you'll know it was the PEOPLE who were involved in that show, on AND off stage, who made that magical experience what it was. So Michael and I hit the roof when we realized we'd been hired together once again, for another piece of awesome work. I feel like I'm living a blissed life and I am SO grateful! Like, who do I owe?!?!? :-)

Ok, I've got to power off my device now before I get another glare from this flight attendant.

I love you. I don't even know who's reading this right now, but I know that I love you, lol! I've got so much to give, so why not?

Pray for my broken legs on this production... I'll do my best to keep you posted xoxoxoxo